#ask tag or something

[softausterity]

just want you to know I've been getting friends into zero escape and whenever they see zero time dilemma characters and go Ew i quote your "look where we ended up. guys in shirts. it's horrible"

it really is horrible! you look at the 999 cast line up and they're all visually distinct but clearly from the same game, bright colors, wearing unique outfits??? the flannel shirt with 2 vests on top is everything. the way the siblings look so different but have such obvious shared design language....

meanwhile ztd has sepia filter button up shirts. i look at the cast line up and the only thing for my eyes to latch onto are the one (1) unique character design, or mira's tits.

they were going for something but the something they were going for would have only worked if literally anything else in the looked like the box art + the cast dolls. 'muted and moody' only works if your game doesn't look like this

tl;dr we have to go back in time and kill david cage.

[lapdogchase]

[beebfreeb]

[bacchuschucklefuck]

couldnt draw my thang for mid-autumn so treated myself to a calne redesign instead

[littlelightfish]

This... this is a whole different kind of psychic damage here. When nightmares got Marcille, we get to knew that her's biggest fear is outliving her friends. This isn't even canon probably, but look at this. This isn't a "I don't want my friends to die" kind of dream. This is a "I'm terrified of loosing my daughters, of something killing them, and being incapable of stopping it" kind of dream. It's so simple yet it explains perfectly the whole of chilchucks character. He loves, he cares, deeply. But he, or doesn't acknowledges, or doesn't know what to do with that knowledge.

Besides that. Someone had to wake him up after this. Imagine the devastation in this man after he wakes up. He just saw his three little babys murdered corpses (or maybe he saw them die, wich isn't better). He would possibly not talk about it, and that would worry the hell out of the party, because we'll, they see him all down and only one of them knows what he saw. Imagine being the one to pull him from that nightmare. Seeing this man, usually so composed, fuking staring with tears and terror in his eyes to the composes of what you can only assume are his daughters. It would be heartwrenching.

Idk, I love this man so much...

[fandom-trash-goblin]

this is what english teachers mean by poetry appreciation right?

[goosologist]

(How weird! To be noticed, and known!)

[dreamsteddie]

Steve and Eddie who kind of flop in life and end up poor, living in a trailer in a different small town living quiet lives of no import.

The kids, Robin, Nancy, and Johnathan all seem to take the small handful of opportunities offered to them by the government in the aftermath of the Upsidedown to take off and make something of their lives. They're off writing headlines, making news, and living their lives to the best of their abilities, but Steve and Eddie find themselves stuck.

Steve stayed in Hawkins until the kids graduated and left for college. By then Nancy, Johnathan, and Robin are all in their second or third years of college. John and Nancy have their own apartment in New York together and don't reach out all that often, only seeing the rest of the Hawkins crew on Holidays and some vacations. Robin is flourishing at an all-women's college in Maine and has a partner and a cat and plans for graduate school brewing. She's always saying Steve can come out and join her whenever he's ready, but when the time comes it feels like he would just be trying to insert himself in the middle of a life he doesn't know how to fit into, so he turns to Eddie instead.

Eddie is permanently disabled in a number of ways following the events of season four. He struggles with chronic pain, has breathing issues due to the loss of part of his right lung, and lost enough muscle mass in his left leg that walking will never be easy or done without the use of a walker or arm bar crutches. The doctors said he recovered as well as he could have. The kids said he would get better with time. Wayne said it didn't matter if he never got better, he could do anything he set his mind to.

Steve is the only person who tells him the truth.

Steve tells him that it sucks. Tells him that it will probably always hurt. Doesn't give him false hope when he's trying to grieve the loss of the life he wanted to live. The goals he wanted to reach. When he falls deeper and deeper into himself, stuck in the muck of depression, Steve is the only person he lets in. The kids try their best but their lives are moving fast, and taking care of someone like Eddie is exhausting, no matter what they try to say. Eventually, everyone but Dustin gives up on reaching out, the younger boy showing up every Sunday to try and get Eddie out of the house. He always leaves disappointed.

When Steve asks him if he wants to use what's left of their partly government payouts and Steve's equally meager Family Video savings to buy a truly shitty trailer in a town an hour and a half south of Hawkins in the fall of 1990, it feels like the first boon he's been given in almost five years. He'll never be who he could have been if he had ignored Chrissy that day in 86', but he's always thought maybe he could be more than a ghost between Wayne's walls if he could just get out of this god-forsaken town full of people who know too much and too little of what's happened to him.

They get the trailer, pack what little they have, let Wayne hug them close, and leave.

Steve has already transferred to their new town's Family Video, moving up to claim the dubious honor of being the opening manager. Mostly he just unlocks the door, signs into the computer, and makes sure nothing catches fire. Eddie hoped that moving would miraculously make him fit to enter back into the world, but he spends most of his days with a blanket on the front porch, watching people pass by. He does, though, finally accept that he needs to apply for disability to help Steve keep the lights on and the water hot. That last little bit of hope that he could be what he used to be dies, but he's learning to be content with what he does have. He starts taking a walk, just ten minutes around the loop of the trailer park saying hi and trading polite nods with his fellow residents. He's not ok, but he's starting to build a new community of people not too different from himself.

The new trailer only has one bedroom. Eddie sleeps on a fold-out mattress in the living room. It had been a major argument when they first moved in with Steve insisting that Eddie needed the bed. Eddie argued that it wasn't fair for him to take the room when Steve was the one working 40 hours a week to keep them afloat. In the end, Eddie was the more stubborn of the two. It helps that Eddie has absolutely no qualms about crawling into bed with Steve on the nights when the couch bed really won't cut it for his aching body. Steve never questions it, just shuffles over a little and lets the other man in.

Steve doesn't question a lot of stuff.

He doesn't question when all their effects are shared between them with no effort to distinguish between yours and mine, Eddie's and Steve's. He doesn't question it four months in when Eddie starts to get his feet under him and decides to take up cooking, always trying his best to have everything done just as Steve walks through the door. He doesn't question when a good chunk of Eddie's first disability check goes to buying Steve a sturdy, if not very fashionable, new watch for his birthday since his old one went bust almost a year ago.

He doesn't question it when Eddie holds his hand for the first time under the stars hanging above their front porch.

He doesn't question it when Eddie introduces him to one of his new neighbor friends with a hand resting comfortably on his lower back

He doesn't question it when Eddie starts sleeping in the bedroom every night.

Or makes him box mix cupcakes for Valentine's Day.

Or kisses him for the first time on the couch that's never a bed unless they want to spend the day binge-watching bargain bin films.

Because really, isn't this how it was always going to go? Wasn't this exactly what Steve was asking for when he asked Eddie to skip town with him?

Isn't this what Eddie was hoping for when he said yes?

[buttercupshands]

I took that as a challenge so now it's a full comic of me making Siffrin happier by the second

And a small bonus

Because there's not one but two Siffrins who deserve some happiness in their lives

even if by just getting their favorite snack

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[softausterity]

Say something nice about Haru Okumura?

i will say many nice things about haru okumura. her design is perfect and every image edit of her with bangs from reddit is horrendous. she's the best written party member dating route by a wide wide margin. she's got great writing despite how she gets snubbed in vanilla, and people need to stop pigeonholing her in fandom. i love her. i'm an 'art should stand on its own merits'-pilled 'death of the author'-cel but i really want to talk about my haru akechi comic. someone ask me to talk about my own art. i'm doing a bad job at this being positive thing i think

[soulmvtes]

it's about the small acts of intimacy... forehead kisses, putting jewelry on you, rubbing your hand with their thumb, putting a jacket on you, touching your necklace, running your hands through their hair, wiping away their tears, peeling them an orange, un/zipping their dress, tying their shoelaces, holding hands, removing an eyelash from their cheek, washing their hair, putting an anklet on them, tucking their hair behind their ear, sorting out their collar, untangling their necklaces, drinking out of a cup in their hands

[abstractfrog]

Happy 1 year anniversary to Mr Sherlock Holmes! Here's a litttleee celebratory comic from me

[umblrspectrum]

part 4 of a lot funnier in my head than on paper

[forgettable-au]

FORGETTABLE-AU (Page 61-64)

* I-I don't think we were talking about the same thing...

[BEGINNING] [PREVIOUS] [CONTINUE]

[transfaguette]

It's less that Steven universe didn't kill the fascists and more that they had fascists in the first place AND didn't really punish them in the slightest

listen man. did steven universe really “have fascists.” or was it fundamentally a story about emotions and love and family and growing up with the set dressing of something more grand to make it exciting. which, i’m not even saying they never wanted to make sociopolitical statements, they did, or that the wires between the themes and worldbuilding never got crossed in bad ways. but maybe you could just walk away saying “well, that was imperfect and I would have handled things differently” and understand this criticism only exists through the lens of hyperliteralism and also years of smear campaigns against the creator.